Cover Reveal

People's Library - cover

The People’s Library is a collection of 113 works of writing gathered together by A Published Event, otherwise known as Justy Phillips and Margaret Woodward. The covers of each of the books come from  Werner’s Nomenclature of Colours, and each colour was assigned according to each books submission date.

That could’ve meant any possible colour for the cover of my book, but instead I ended up with ‘Leek Green’ – and as this is a book about the ocean, it fits quite well.

 

Advertisements

Novel Writing by Hand? Yay or Nay?

Novel Writing by Hand

 

If you follow me on Twitter you may have seen (a couple of months ago now) that I’ve been having a go at writing a novel by hand.

I’ve long been hearing of the benefits of writing by hand. Heaps of authors do it (so I’ve read); Isobelle Carmody and Stephen King, for example.

Then there were all these amazing articles about the benefits of handwriting: all of which I have managed to lose, despite planning on keeping links for this post. The Australian Writer’s Centre podcast ‘So You Want to be a Writer’, also discussed this in Episode 108.

In this podcast, Allison and Valerie refer to an article in Forbes magazine: ‘Three Ways writing with a pen positively affects your brain’.

“sequential hand movements, like those used in handwriting, activate large regions of the brain responsible for thinking, language, healing and working memory”

Nancy Olson

The theories are that handwriting increases creativity, as well as increasing neural activity in certain sections of the brain, similar to meditation, and it forces us to slow down and think about what we’re doing.

So I tried it out.

These are my findings…

PRO’s

Convenience

You can carry an exercise book with you wherever you go, and all it takes is a moment to flip open the page and start writing. I almost never take my laptop anywhere, and when I turn it on it always takes several minutes to load up, and then to get the document open. If I have an idea burning to be written down – it could well be lost by the time my laptop is ready. (On saying this, I carry a notebook with me everywhere anyway. So I do often jot down story ideas that come to me when I’m out and about, and then I just transcribe them to the computer when I get home. The only real benefit here is that you’ve got your whole story with you where-ever you go.)

Crinkly pages

I love the sound of pages that have been covered in writing – there’s that lovely crinkle that they have when you turn the page or pages. Music to my ears.

 

CON’s

Speed = slow!

I type fast. When I’m in the zone, I can manage 2000 words in half an hour – though it usually takes me time to build up to that, time that I don’t really have at the moment with three kids about. But it’s not hard for me to hit 1000 in an hour or so if I have the time and space to do it. Not so for my handwriting. I struggled to hit 500 words a day. My best day was day 2, where I managed 1600 words, and out of 36 days in total I managed to reach 750 words (or above) on only 9 of those days. The rest ranged between 250 and 500, with the bulk down the 250 end. And every day I stayed up for a good couple of hours after the rest of the house had gone to sleep to make sure I got some words down.

Lost story…

This is linked to the above. When I write a story, I have ideas flowing all the time for what is coming up next. If I’m typing, I can get the story down quick enough to get to those ideas and write them down. Handwriting… no. I had so many ideas that were lost because it took me so long to get this-little-bit-now down. (Interestingly, as I type up what I’ve handwritten, I’m having all sorts of new scenes and ideas come to me, which I’m able to add now. Scenes which improve and expand the story line. I have no idea whether they were the same ideas I had first time round, but they seem to be improving it either way!)

Too hard to back up

When I’m typing out a story, it’s easy to email myself a version at the end of every day (or every couple of days), to provide a back-up should something dreadful happen. If I’m carrying my entire story around with me, it could end up lost somewhere. And with children running around there is always the risk of drinks being spilled, or pages torn out and lost. The story I’ve been handwriting has lovely ‘illustrations’ from my two year old – directly over my writing (or perhaps she’s getting into editor mode early, and letting me know what needs fixing??). Thankfully I can still make out my own words underneath her scribbles, if I squint hard enough, so all is not lost… it’s just been made a little more complicated.

 

My Verdict

For me, writing by hand is definitely a ‘nay’. While I would never get rid of either the notebook beside the bed or the one in my handbag for jotting down those moments of inspiration, I just can’t see myself writing a full novel this way. While it’s possible that I had a boost in creativity (it didn’t feel any different to usual), I wasn’t able to capture all those new ideas, so they were lost to me. Maybe that’s a good thing, maybe they weren’t as great as I thought they were at the time, but without having recorded them to glance over, I’ll never know for sure. And while I obviously have no real idea what my neural activity is doing, I often feel the same affects from writing a story as I do from meditation, regardless of whether I’m typing or writing by hand.

– – –

If you’re a writer, (of any form) how do you prefer to write? And have you ever tried to do it another way?

A Novel’s Writing

 

how to write a novel

 

This is the third in the series my novel-writing journey. You can read the first two posts here: On Inspiration and here: On Research.

As I writer, I am also a reader, and among the many many books I read, of course, are the books on writing, and of course there are many different methods of writing a novel, and the writing of a novel can change from one book to the next, even for the same author. Here’s my writing process, for this novel.

Working title: ‘On Demon’s Shores’, a play on words of the location ‘Van Dieman’s Land’, started 3 and a half years ago on a bushwalk with my now-husband. That was December 2012. A woman – Elspeth – standing over the grave of her infant son. I knew straight away it was a historical fiction, and, having a Masters in History, I thought I knew what areas I was familiar with, and what areas would need a bit more research. I planned to write my novel during Nanowrimo* the following year and spent the following eleven months reading in the areas I knew I needed to brush up on; like Scottish folk magic, and colonial history – especially the interactions (good and bad) between the Aborigines and the settlers.

By November 2013 I had a folder thick with notes, as well as the odd scene that came to me through the year: One from the point of view of Elspeth’s daughter, another from her dead husband. Scenes of Elspeth’s childhood had filled several pages, and it was from these scenes I started to write: born with a caul – a sign of one with the Sight – Elspeth followed her grandmother’s footsteps and became cunning-woman of her village. How she got to Van Dieman’s Land was easy – as a convict – but why? What did she do? And why did she do it if life was following a path it should?

That draft brought up many more questions than before, and really revealed how little I knew of the tiny details that would bring my story to life. 2014 was back into the research again, writing the odd scene here or there all the while researching those odd little points that would make my story ‘real’: like what period the colonial government offered land grants to former convicts, and when the Queen’s Orphanage first opened, and what happened to the children of convicts who were brought out with their parents.

Big changes were happening in life that year too – the birth of my third child, and the closure of my older children’s most wonderful little school.

When Nanowrimo 2014 began I was a Nano-rebel for the first time in my 5 years of taking part, almost completely re-writing that first draft, keeping only the few scenes I liked.

2015 was more a mixture. More research, several redrafts, and always reading – both fiction and non-fiction, anything to help me connect with my characters, experience life as they may have known it: Elemental by Amanda Curtain, Journey to the Stone Country by Alex Miller, Roving Party by Rohan Wilson, That Deadman Dance by Kim Scott.

Another re-draft over the 30 odd days of Nanowrimo, squashed into the gaps between homeschooling and caring for a now walking toddler (and achievable only with a supportive husband). But Nanowrimo that  year I had a different aim. By now I’d been over the story so many times, and removed the dull, unimportant bits, and clarified the story, and really felt I knew where it was going. Now I needed to polish it to the best of my ability, ready for the outside input. Late January 2016 I sent the story off to beta-readers, mid-March I received 3 different readers comments, and reworked the story yet again. Next step was to send it to a Manuscript Assessor [The Tasmanian Writer’s Centre offers affordable manuscript assessment]. The Manuscript Assessment was everything I needed. I reworked the story, changing some sections completely (sections which, incidentally, I knew weren’t right, but I thought I didn’t know how to fix, and so I was taking the lazy way out. But as I worked through the minor changes the way to fix the larger problem came clear. A re-read confirmed what I suspected at the end of that process – the story is as good as I can make it at this point in time. And so I sent it off.

So now I wait. But the waiting is not with twiddling fingers, no. Since I submitted my manuscript the idea for my next novel burst, fresh and exciting, onto the page, and now I’m pondering where this journey will lead me.

 

 

 

National Novel Writing Month, for those unfamiliar with the term. And if you are a writer – check it out, it really is an amazing resource for writers, and a great way to get a good start on a novel.

 

 

Interview – Historical Fiction Author – Barbara Gaskell Denvil

I’m a little bit excited, because this week on the blog I’m interviewing a fellow historical author – Barbara Gaskell Denvil! Barbara’s latest book ‘Fair Weather’ has just been released and she’s come over to have a chat about the book and her writing process.

Welcome Barbara!

  • To begin with, can you tell us a bit about yourself?

Thanks so much, Heather. I’ve been an author of sorts for most of my life, starting in
my teens publishing articles and short stories while working for publishers and television companies as a tutor, script writer and editor. However, I took a large break for domesticity and bringing up three daughters, two of whom are identical twins. Once my children were grown with lives of their own, I spent some years sailing the Mediterranean and living in several European countries while indulging my sense of adventure and learning, first hand, what romance is all about. Now I live in Australia, and write of medieval England while gazing out of my window at kangaroos, parrots and kookaburras. A considerable contrast – but my imagination soars from one to the other with no problems. It all adds to the joys of inspiration.

  •  Briefly, can you tell us what Fair Weather is about?

FW CoverMystery – history – dark magic – romance – and adventure! Fair Weather is set a little earlier than many of my other novels, going back to the reign of King John. It is a time-slip story with a large dose of the paranormal so the heroine, at first against her wishes but increasingly eager, is pulled from her modern comforts into the dangers of the past.  The storyline delves deeper and deeper into the threats and the mysteries, but as the plot develops the mysteries begin to unfold, and the principal male character shows himself as multi-faceted and far from average hero. This very unusual hero is one of my favourites but neither of my two heroines find him an easy companion. This book and its plot are multi-layered, and carries many twists…

  • What inspired you to write Fair Weather?

Vespasian Fairweather came marching into my head one dark and chilly evening, and introduced himself without permission. I found him immediately intriguing, challenging and compelling. This is actually a novel I first wrote back in 2004 when time-slip plots were rare! But I have polished since then – and I believe the book has grown a little. But for all that time, Vespasian has been with me. He’s not always the easiest companion, but I love having him around. He is charismatic and never predictable. So he has been my inspiration right from the start. Where he came from – well – I’m not sure!

  • I see you’ve written quite a bit of historical fiction. What drew you to this genre?

I suppose originally because it’s a genre I love to read, and I grew up with an adoration for Dorothy Dunnett, Shakespeare and Mary Renault. I became interested in researching the dark cramped and brutal life of the ordinary people during those long-past years. I also love fantasy – and I think both fantasy and historical fiction draw the reader into new worlds. Escapism of the deepest and most compelling kind. I adore wandering other dark roads in my mind and exploring what made people think and believe as they did. I am greatly interested in many important figures from the past (Richard III, Shakespeare, Rochester, Wellington and many more) but it is the huge heaving population of the poor that absorbs me, and how they coped with such difficulties. We are now what the past has made us, and I find that an absorbing puzzle to study.

  • Fair Weather is not strictly historical. Is this your first time-slip novel?

Yes, it is, and I have loved writing it. I believe the time-slip plot draws the reader into the past along with the characters, and that is always my aim in all my books, even when time-travel is not at all included. When I actually wrote Fair Weather back in 2004, time-slip was quite a rarity in books and I cannot remember a single book I had then read based on time travel, although now it is quite fashionable. My mother had recently died, and I think my mood was generally dark – and from there I slipped into the past myself.

  • I’ve had a peek at your website, and I’m intrigued by your story line. You mentioned that one of your main characters ‘Vespasian’ arrived fully formed and proceeded to dictate the story (I’ve experienced this myself!). Was there much research involved?

Yes, isn’t it a wonderful experience when a compelling character seems to come alive!

I have always loved researching the past and started with massive academic research on the Viking era when I was just 12 years old. So yes indeed, I researched the time period for Fair Weather with much passion, even though the plot of my novel is not based on historical events. Certainly the presentation of old London and the way of life at that time are all very accurate. Vespasian certainly strode through my head and wrote my book for me, but I still had to check that the facts were right. Now I have trouble with fading sight, and research is a problem. However, I will never write a historical fact without ensuring its accuracy.

  • I’ve found research can be a bit of a black-hole – there is so much information out there. How did you know when you’d done enough?

Yes, it can be hard, but that black hole has never swallowed me up. I enjoy research and never stop, and it is endlessly valuable. You need a feel for the period, and an understanding of what life was like then. I have researched many periods of history without the slightest intention of setting a book in that time. The past has fascinated me most of my life and I am passionate about understanding the way we have grown from previous mistakes. I have a passionate sympathy for the terrible experiences the ordinary people suffered before we learned tolerance, before medical science understood disease and hygiene, and before a regard for equality was accepted. Battle was the most brutal business and yet people accepted the inevitability. Many fought willingly, but the suffering continued unabated through every reign. I will not turn away from the misery those poor souls faced in bygone eras, and I write of their lives with the utmost care. Now humanity is maturing beyond those past horrors, but we still have a lot to learn. That is what research means to me. I have never entered into any research purely as a short term exercise for one book alone.  I dream of these times, and feel as though I live there as I write my books.

  • What inspires you to write?

The whole world and everyone in it becomes my inspiration. The sunset over the hills, the dawn rising in soft pastels over the ocean, forests in the spring and open moors bleak in the barren winter. Every person I meet and every word they say inspires me. I get sudden ideas from dreams too. My dreams are vivid and compelling, and they remain with me long after I have woken. Some films have inspired me too, and books of course, for reading the work of others is perhaps the biggest inspiration of all. I also have my own memories, and after leading a very varied and interesting life, there is plenty to remember and plenty to inspire within those memories.

  • What is your next book about?

I am now writing a Tudor adventure. As usual it contains romance, adventure, crime and mystery, as well as a good deal of historical context. Henry VIII and Anne Boleyn are important characters within the book, but I follow my normal practice by bringing my own fictional characters into the foreground as the principal protagonists.  But the book is only about half way finished, and it will be some time before I choose to publish it. I insist on rewriting and polishing my work several times, and therefore finally publish my very best attempt at perfection. Well – nothing is ever perfect of course – but I can try.

  • What is your writing process? Do you have a daily routine? Do you plot your stories – or do you let them come to you as you write?

More or less a routine, and I try to write for many hours each day, depending on other duties such as marketing and keeping up with articles, and fascinating interviews such as this one. I love writing. I have no problem with writing for hours. I always start off with my basic plot and characters very firmly in my mind, but then as the book begins to develop, it takes on a life of its own and runs away with me. In the end I always feel as though it has written itself. Sometimes it feels so real that I think it has written me!

My leading characters leap into my head fully formed and demand that I give them the freedom to do whatever they wish. And that’s exactly what I do. I have written a crime mystery before, where I have changed the culprit half way through simply because the original character I had chosen as the guilty one, turned around and told me in no uncertain manner that he was innocent. Who can argue with a character stamping his feet inside your head?

  • Why did you decide to self-publish?

My traditional publishers (Simon & Schuster) treated me very well. My books sold well and I intended continuing in the traditional manner. But then I began to dream of taking back some of the control I had inevitably had to surrender to my publisher. I had no complaints, but most matters were no longer my choice and even the basic direction of my books was sometimes altered by them. Only one book a year is published traditionally of course, they chose covers, and with a small budget allotted (large budgets are kept strictly for the famous names and huge best-sellers) there was very little possibility for publicity or marketing. Eventually I decided that self-publishing would bring me vastly more pleasure, and renew all my freedoms., So that is what I chose.

Sadly there is still some stigma hanging over those who self-publish, as though they have all initially failed. This is most unjust. It may sometimes be true, of course, but usually it is not. I was offered the traditional path – accepted with pleasure – and then backed out. Self-publishing has become a great joy, although challenging – but it is the way I now wish to travel.

 

  • What advice would you give to people just starting to write, or considering self-publishing?

I don’t think I am in a position to advise anyone really, as I am still learning what I want to do myself. I suppose I would advise any prospective author to take the idea seriously – never to give up – and to re-write, re-write, and re-write again. Many new authors finish a book quickly and assume that is good enough. In the following years they inevitably regret having rushed the process. I think a measure of perfection should be attempted through endless polishing before going out to face the public. Beta readers can be extremely helpful in this.

  • Do you have any website/social media links you’d like to share?

My Amazon author’s page,

www.amazon.com/Barbara-Gaskell-Denvil/e/B005M8E3ZS/ref=ntt_dp_epwbk_0

My website – and please do subscribe –

http://barbaragaskelldenvil.com/index.html

and my F/B author’s Page –

https://www.facebook.com/B.GaskellDenvil/?fref=ts

I should dearly like to meet you all on any or all of these sites.

 

– Fairweather is available now from Amazon

https://www.amazon.com/Fair-Weather-Barbara-Gaskell-Denvil-ebook/dp/B01GBV40CU

and Amazon UK

https://www.amazon.co.uk/Fair-Weather-Barbara-Gaskell-Denvil-ebook/dp/B01GBV40CU

 

– Thank you so much for having a chat with me today Barbara – I’m really looking forward to reading Fair Weather, and learning a bit more about Vespasian Fairweather and the heroines who accompany him in this story.

 

Barbara’s bio:

barbara 3Born in England, I grew up amongst artists and authors and started writing at a young age. I published numerous short stories and articles, and worked as an editor, book critic and reader for publishers and television companies. I broke off my literary career to spend many hot and colourful years sailing the Mediterranean and living in various different countries throughout the region.

When my partner died I needed a place of solace and came to live in rural Australia where I still live amongst the parrots and wallabies, writing constantly, for my solace has now become my passion.

With a delight in medieval history dating back to my youth, I now principally set my fiction in 15th century England. I also write fantasy, tending towards the dark and adult. Within these two genres, I now write full time.

http://barbaragaskelldenvil.com/index.html

A Novel’s Research

Some time ago I published the first of what I intended to be a short series on the writing of my novel. That post was ‘A Novel’s Inspiration‘ and here, finally, is post #2 – a brief account of the research that went into this novel.

First of all there were the bush walks – one of which inspired the story, the others which helped me with setting:

 

Then there was the reading, of which this pile accounts about 3/4 of the books I own, and not the many I borrowed from the library,

research books

nor the countless articles I read online, nor the primary sources I found – mostly through Trove – such as this letter to the Colonial Times Newspaper – printed 26 Feb 1830*

invaded 'a settler'

 

And I can’t forget the practical experiences: such as tanning – my character Elspeth tans a kangaroo skin, thought it might be a bit big to start with so I went with something a bit smaller – a wallaby, (and if you’re wondering – I followed the instructions on this site, and I’m pretty happy with how it turned out for a first attempt).

13237726_10154924340368289_625681680843494300_n

 

Which leads me to the Bush Foods Workshop led by two Indigenous Tasmanian women, where I learnt that bracken fern is good for jack-jumper bites, and crushed wattle seed smells like coffee, and the fruit of the pigface tastes a little like a salty fig while the leaves can be used in the same way we would use aloe vera (among many many other things). Most exciting was learning there are several species of edible natives in my backyard – which I’d looked at only weeks earlier and wondered ‘Can I eat that?’ Unfortunately by the time I learnt I could eat them it was too late – the goats had got to them first. Hopefully the goats didn’t completely destroy them, and they’ll grow back next year (fingers crossed!).

 

 

* For those trying to read this letter:

Mr Editor – Your desire for information respecting the Aborigines has induced me to state what I conceive to be a proper view of the matter. In our neighbourhood every day affords from proof of their determination to destroy, and their declaration to war with the whites. Whenever an opportunity presents itself they have invaded our district in almost every direction, during the last eight months, with considerable success as respects their hostile attacks, particularly in taking the lives of several individuals, and in having accomplished the ruin of whole families.

 

It is almost impossible for me to fathom how someone who had been living somewhere for such a short time can accuse the original inhabitants of ‘invading’ the district…

How to find the time to…

 

crop maze
Following one of my more delightful time-fillers as we explore the Crop Maze in Hagley, Tasmania 🙂

 

“How do you find the time to…?”

I’ve been asked this question quite a bit over the past few weeks – on Instagram in relation to my reading habits, and by a couple of different people at the recent Tamar Valley Writers Festival when discussing my writing.

I have three children; two I home-school (in grade 4 and 2 respectively). The youngest is an active toddler, at the stage of getting into anything and everything the moment my back is turned, and ever so full of mischief. We also have a large garden (mostly neglected, but still somehow providing us with an abundance of tomatoes and potatoes and apples), chickens, a sheep, a cat, a dog, and a goldfish (the animals are the children’s responsibility for the most part: feeding and collecting eggs are fairly easy chores, after all).

When I’ve been asked how I manage my reading/writing with such a menagerie, I tend to laugh it off, giving one of two ‘joke’ answers: that I neglect the children, or else bribe them with screen time. The latter is sometimes true – though screen time is usually a reward for completed school work and chores, so it fills two purposes (a reward for completed tasks, and giving me some free time for my own work). Other times I have a self-imposed deadline to meet and I need to finish something – so movies are a great way to entertain the kids for an hour or so. Even the toddler will sit quietly for the duration if Mary Poppins is playing – (well, except when she gets up to dance along with Mary and Bert and the chimney-sweeps). And I don’t only distract them with the screen. With around 4 acres of land – around half of which is bush – the older two have no problems entertaining themselves for hours at a time, and if I can align that with a toddler napping there’s plenty of time to make progress on whatever I’m working on.

But to answer in the above manner excludes two very important reasons why I can achieve so much reading/writing. The first is the most important of all – my husband. His support and encouragement has been a great motivator – along with his willingness to back up his words with actions by taking over the homeschooling/child care/housework on the days he doesn’t work while I hide away for the day to write/research/edit, and even whole weekends so I can attend writers festivals.

And the other important thing is making the most of what time time I have available. When I’m hanging about waiting for my kids outside dance or aikido, I’m reading, or editing, or working on my author platform, or jotting down story ideas. If I know I’ve only got a short space of time to myself, I make sure I use it in the best way possible (and yes, sometimes this means an afternoon nap if I need it).

But I think there is another factor at play here too, and I think it’s summed up best in a quote I found on my twitter feed the other day:

“Motivation comes from being committed to the path you are on.” Jeffrey Shaw

And there’s another quote that works here too:
If you really want to do something...

 

 

Tamar Valley Writers Festival 2016

tvwf image.gif

Last weekend was the Tamar Valley Writers Festival – two days (well, for me – there were other events on other days too), of non-stop panels and book-signings and networking!

Those of you who’ve been following my blog for a while now, may remember that around this time two years ago I attended the Festival of Golden Words, in Beaconsfield, Tasmania. This is that festival – rebranded, and I have to admit I was a little disappointed with the name change.

Unfortunately I missed the opening of the festival, arriving just in time for the second time slot of the day, with two talks of interest to decide between. With three sessions for each time slot, there were a few clashes over the weekend, which make it hard to decide what session to attend!

The first couple of sessions of the day (Saturday) were sparsely attended, and I worried that the festival wasn’t going to draw the same crowds as the first time around, (a big concern as this is the closest writers festival to me, and I want to be sure it continues!) but by the third session of the day there was standing room only in the sessions I attended, and the atmosphere was bustling, though some of the panelists seemed to lack confidence speaking to such large groups. Sunday continued on much the same as far as attendance was concerned, though the panelists seemed to be much more comfortable and relaxed, with more banter occurring between panelists.

TVWF books
Petrarch’s Bookshop was in attendance, and with authors signing their books I spent up…

There were some fascinating discussions, and so much to think about – I ended up with seven pages of sometimes-barely-readable scrawl in my notebook! I won’t retype the whole seven pages here – just a few snippets from the weekend.

  • In ‘Mosaic Australia: words and cultural voices’, Ellen van Neerven (author of Heat and Light, which I read just recently – look out for my review soon!) commented on the use of the word ‘myth’ in regard to Aboriginal stories, for these stories are real and current for the Aboriginal people, and are held in the land itself.
  • In ‘Lost Voices: recreating historic characters’, Historian Michael Cathcart stated he was interested in confronting the mythologies of the past, that ‘they are not us’, and his interests lie in the differences between now and then. He said it was useful to look at the strangeness of the past, that we find the story in the difference.
  • In ‘Questions and Lessons from our History’, someone (my apologies – I didn’t jot down who!) commented on how stories from history are never actually finished, there are always ongoing discoveries. When asked about choosing the stories of ‘minor players’ of history, Steve Harris, author of Solomon’s Noose (a story about a hangman in Hobart during colonial times and now added to my TBR list!) commented that unless we acknowledge our own stories of the past – good and bad, we can never expect anyone else to.
  • ‘The Rich Tapestry: diversity in life and literature’, introduced me to Erin Gough, who spoke of her experiences growing up as a gay teen, and the lack of gay characters in any of the books she read. ‘We read to find our place in the world’, she said, and she wanted to write stories for teens today, so they can see themselves reflected back in fiction. (Seeing yourself in fiction is so important on so many levels and there’s a website ‘Visibility Fiction’ which promotes diversity in fiction – not just regarding sexual identity, but also colour, and disability, and any other way people may be different from each other).
  • Historian Patsy Cameron gave me goosebumps in ‘First Voices: Our Indigneous past’, when she spoke of trekking to a cave where thousands of years ago her ancestors left their hand prints on the walls. And later, in the session entitled ‘Our Island Home: issues in Tasmanian history’, my views on the past were re-arranged yet again (it’s happened quite a lot over the course of my research for my current WIP), when Patsy commented that she sees the war between the Tasmanian Aborigines and the white settlers as the ‘White War’, not as it is more commonly known, the ‘Black War’, because it was the whites that caused the war, not the original inhabitants of the land.

I’ve come away from the festival with so much to think about, not only from the panels and discussion, but from personal conversations with people – friends and acquaintances and those I only just met.

I have no doubt what-so-ever that my novel will be much stronger from the changes I’m making, due to what I learnt over the two days, and I’m so inspired and encouraged to continue with my writing.

Looking forward to the next one!